Planting the seed
StoryCorps documents Ginter beginnings
For three days in March, Lewis Ginter Botanical Garden was a hive of activity – and not just because of the early blooms and unseasonably warm spring temperatures in the 80’s.
StoryCorps, the national oral history project, dropped in for a chat with three dozen friends of the Garden.
The chats – actually recorded interviews with 18 pairs of LGBG volunteers, donors, long-time patrons, and other members of the Garden family -- were a gift from the Institute of Museum and Library Services (IMLS), which recently recognized Lewis Ginter as one of the top museums in the nation.
Setting up their mobile recording studio in the reading room of the Garden’s library, StoryCorps staff members collected stories about the impact of the Garden on community members, which will be archived at the Library of Congress and -- in the case of one yet-to-be-designated interview -- heard on WCVE Public Radio’s Morning Edition.
Among the interviewees, noted LGBG spokeswoman Beth Monroe, were visitors who praised the Garden’s merits not only as a play-date destination and the “go-to” place to bring out-of-town guests, but also as an educational hub and a refuge for people who are sick and suffering.
Guests who came during a serious illness, said Monroe, were effusive in their descriptions of the Garden as a place “of healing and solace and joy.”
Another regular visitor, whose home was destroyed by Hurricane Katrina, takes yoga classes at LGBG and enthused about the Garden’s role in renewing her spirit.
Chris Corsello, a 19-year-old man with autism, also took a turn with the StoryCorps interviewers. With the help of his aide, Lisa Watts, Corsello has been a dedicated volunteer at the Garden, assisting most recently with the tedious task of stripping leaves for a stick sculpture.
“The other volunteers have really embraced him,” said Monroe. “And Chris represented the Garden when we received the IMLS award.”
‘That’s just not right’
Perhaps no one, however, found the StoryCorps visit as gratifying as Betsy Saunders and Mary Mitchell.
Aside from Lewis Ginter and Grace Arents, the property owners who donated the land for the Garden, probably no one was more instrumental in the institution’s founding.
In 1981 – when according to Saunders the Garden site was “just a tree farm for the city” – the two friends joined the Richmond Horticultural Society (RHS).
“Betsy’s friend insisted we join [the Society],” said Mitchell, noting that even though the insistent friend died soon afterwards, the two women had already been hooked.
At an early RHS meeting, they heard how Lewis Ginter had left a plot of land to his niece, Grace Arents, when he died in 1897, and how Arents had converted a building on the site into a convalescent home for sick children from the city. When the convalescent home closed, Arents moved in with her companion, Mary Garland Smith, who acquired the property upon Arents’ death in 1926.
In Arents’ will, it was stipulated that after Smith’s death, the city of Richmond was to develop the property as a botanical garden honoring Lewis Ginter.
Smith lived to the age of 100, dying in 1968, and the city of Richmond took possession of the property. Although city officials apparently considered plans for a botanical garden, nothing had been done in more than a decade -- to the dismay of local horticulturists, botanists, and interested citizens such as Mitchell and Saunders.
“We were very naive,” recalls Mitchell. “We thought wills were always upheld. But this garden was left to the city with money, and the city didn’t want to do [anything].
“The city didn’t want to build a garden in the county.”
Driving home from the meeting, the two friends discussed the idea of getting involved.
“Our children were grown and stable. We liked projects,” recalled Mitchell, ticking off the reasons she and Saunders decided they should join the fight. “And I had just been to the Edinburgh botanical gardens -- similar size, great garden -- and I was thinking of that here.”
But the most powerful motivator, they agreed, was that creating a garden was the right thing to do.
“Grace Arents’ will left land and money; the bank had money accruing interest. And we thought,” recalled Mitchell indignantly, “‘That’s just not right to break that will!’”
‘I think you’ve got a case’
Banding together with other interested RHS members and citizens, Mitchell and Saunders helped form the Lewis Ginter Botanical Garden, Inc.
“It was a cause,” said Mitchell, recalling a memorable meeting held in the unheated, empty Bloemendaal House (Arents’ former residence) in the middle of January. “We were all sitting in overcoats and freezing.” They hired an attorney, who had been a next door neighbor of Saunders.
“He told us,” said Saunders, “I think you’ve got a case.”
“We went to every garden club meeting,” said Mitchell. “We wrote every botanical garden in the world, and they send slides.”
Among the early groups they pitched were the Henrico Historical Society and an informal garden club that met at the home of Sharon Francisco -- a long-time Garden volunteer who was also interviewed for StoryCorps.
For their first fundraising cocktail party, they called 50 people. Nine came.
But Mitchell and Saunders kept chipping away, eventually garnering the support of such key patrons as Lora Robins, for whom the Garden library is named.
In 1984, a settlement was reached, and the Lewis Ginter Botanical Garden was chartered by court decree -- more than half a century after Arents’ death. Five years later, the Garden Club of Virginia completed the restoration of the Grace Arents Garden as the first garden site at Lewis Ginter.
Today, the Garden encompasses 60 acres and includes more than a dozen themed gardens, a glass conservatory, a visitors center and an education center. Last year, it became one of only ten libraries and museums in 2011 to receive the prestigious National Medal from IMLS.
Nominated for the award by U.S. Sen. Mark R. Warner (D-VA), LGBG was selected for its Community Kitchen Garden that grows fresh produce for the needy, as well as for its education programs, urban greening and water management initiatives, and contributions to economic development and work-force training.
But as Mitchell and Saunders reminisced following their StoryCorps interview, the conversation focused on the friends they have made in their years at the Garden, rather than on the successes the Garden has achieved.
“We’re proud of the Garden. It’s exceeded expectations,” Mitchell deadpanned, and both women broke into chuckles as she added drolly, “They weren’t too high!”
After all, they noted, it was really that little matter of upholding a will that launched them on their crusade. It was a wrong that cried out to be righted.
“And there was never a doubt in our minds,” said Mitchell, “that we would do it.”
Henrico's Lewis Ginter Botanical Garden is one of only 20 gardens in North America nominated for USA Today’s “10Best Reader’s Choice” contest for Best Public Garden.
The 20 public gardens nominated are:
• Bloedel Reserve, Bainbridge Island, Wash.
• Brooklyn Botanic Garden, Brooklyn, New York
• Buthcart Gardens, Victoria, B.C.
• Callaway Gardens, Pine Mountain, Ga. > Read more.
Photo by Patty Kruszewski/Henrico Citizen 02/24/2014
The Fifth Annual Henrico Police Athletic League (PAL) Award Banquet, held Feb. 6 at The Cultural Arts Center at Glen Allen, honored HPAL’s top volunteers and employees, including Morgan Lewis, Youth of the Year; Dale Alexander, Volunteer of the Year; Lowell Thomas, Employee of the Year, and Victor Williams, Board Member of the Year. Also honored for their support were Jim and Christi Dowd of Richmond BMW and Josh Davis of Henrico County Public Schools Pupil Transportation.
Keynote speaker for the banquet was Tim Hightower, a University of Richmond alumnus and former NFL running back. Hightower was introduced by Billy McMullen, former NFL player and a Henrico PAL board member. > Read more.
The Pocahontas Chapter of the National Society Daughters of the American Colonists, based in western Henrico, last year donated more than $1.3 million worth of manufacturers coupons to U.S. military personnel overseas. Throughout 2013, members and friends of the chapter clipped 952,349 manufacturers’ coupons valued at $1,350,630, which Program Chairman Carole Featherston shipped to U.S. military bases abroad. Military personnel can use the coupons when shopping in base stores.
The National Society Daughters of American Colonists is a women’s genealogical and patriotic society whose members are descended from a man or woman who rendered civil or military service in any of the American colonies prior to July 4, 1776. > Read more.
But animated South African film has its moments
You might have seen something called Khumba while clicking through a Redbox recently (or perhaps it was nestled in some hidden corner of a DVD sale shelf). And chances are, you passed it by without much of a thought. Makes sense; that goggle-eyed cartoon zebra on the cover (a zebra that’s dangerously close to becoming Madagascar copyright infringement) doesn’t inspire much confidence.
But when Khumba starts up, it looks nothing like you’d expect. The camera gazes across the savannah and the soundtrack swells with triumphant South African vocals. > Read more.
If you’re looking for a date night with someone special, Henrico is the place to be! Check out a classic 90s movie, “My Girl,” at Henrico Theatre; Circa, an innovative circus from Australia, will dazzle at the University of Richmond; and celebrate TGIF at Keagan’s Restaurant where the PJ Bottoms Band is performing. For all our top picks this weekend, click here! > Read more.
Abstract paintings of Inge Strack (pictured) are on display through March 9 at the Gumenick Family Gallery at The Cultural Arts Center at Glen Allen. Strack, a Chestefield painter of German origin, often paints in bold colors with a deep sense of emotion, focusing on brushstrokes, texture and form to find a balance. Strack’s painting is routed in the European tradition of expressionism but has found its own, unique language in following the American dream.
“I am not attempting to abstract the physical world," she said. "I draw my subject matter from inside of myself hoping to create a constant conversation between the viewer and the painting, especially since abstracts do not seem to answer but ask.” > Read more.
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